August 15, 2010

Nalini Malani

(1946) lives and works in Bombay

Remembering Mad Meg, 2007, Video shadow play, Two single channel animations, A series of lights and eight rotating reverse painted Lexan cylinders, sound, 3 min

Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing in its condemnation of a cynical nationalism that exploits the beliefs of the masses. Hers is an art of excess, going beyond the boundaries of legitimized narrative, exceeding the conventional and initiating dialogue.

Characteristics of her work have been the gradual movement towards new media, international collaboration and expanding dimensions of the pictorial surface into the surrounding space as ephemeral wall drawing, installation, shadow play, multi projection works and theatre.

Website van Nalini Malani

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